Bacon, Jane and Midgelow, Vida (2014) Creative Articulation Processes (CAP). Choreographic Practices, Vol 5/ No 1.
Ingold, Tim (2011) Being Alive: Essays on Movement, Knowledge and Description. Routledge. London and New York
Journal of Artistic Research: http://jar-online.net
Selected background reading / viewing
Allegue, L., Jones, S., Kershaw, B., & Piccini, A. (eds.) (2009). Practice-as-Research in Performance and Screen. Basingstoke: Palgrave Macmillan.
Barbour, K. (2011). Dancing Across the Page: Narrative and Embodied Ways of Knowing. Bristol: Intellect.
Barrett, E. & Bolt, B. (eds.) (2007). Practice as Research: Approaches to Creative Arts Enquiry. London: I.B. Tauris.
Biggs, M. & Karlsson, H. (eds.) (2010). The Routledge Companion to Research in the Arts. London: Routledge.
Borgdorff, H. (2012). The Conflict of the Faculties – Perspectives on Artistic Research and Academia. Leiden: Leiden University Press.
Freeman, J. (2010). Blood Sweat and Theory: Research Through Practice in Performance. Libri Publishing.
Nelson, R. (2013). Practice as Research in the Arts: Principles, Protocols, Pedagogies, Resistances. Basingstoke: Palgrave Macmillan.
Participants should have experience of making artistic work in performance or related fields, and be comfortable with exploring through movement (although no particular or extended dance technique training is required).