BreathBone: Being Week
Our interest this week is on 'being'. We have developed tasks to focus on our being, the very nature or essence of ourselves. In order [...]
BreathBone: Sensing Week
This week we focus on sensing. Sensing, making sense and being comfortable with nonsense! The word and meaning of sensing is various and many. [...]
BreathBone: Bone Week
This week we focus on 'bone'. Our sense of bones is explored through experiential attention to our skeleton. Bones are living organisms that provide a [...]
BreathBone: Breath Week
Our interest this week is on 'breath'. There is nothing more essential than breathing: take air in, let it out, repeat 25,000 times a [...]
Reflections on Making BreathBone: In residence at Dance4/I4C4
Vida Midgelow and Jane Bacon, co-directors of Choreographic Lab, spent a good amount of the summer and early autumn of 2019 in residence at Dance4 [...]
BreathBone | PresentTense
BreathBone | PresentTense creates spaces of encounter to heighten inner awareness. Working with Dance4 (Nottingham), InDialogue (EastMidlands), Middlesex University (London) and Weld (Stockholm), Vida [...]
In the Aftermath of Writing | Public Talks
In the aftermath of writing | Public Talk Bonington Gallery, Nottingham Prof Jane Bacon and Prof Vida L Midgelow, Directors of the [...]
WritingDancing | with Artists
Guy Dartnell, Miguel Pereira and Rosalind Crisp: extracts from collected writings in skript in collaboration with Jane Bacon and Vida Midgelow Choreographic Practices Journal [...]
Closer to the Body | Reflections on Skript
For Full Article: Jane Bacon and Vida Midgelow Choreographic Practices Journal, 5.1, 2014 (external link) Abstract Through this essay, Vida Midgelow and Jane [...]
Skript | A Micro Installation
Skript is an interactive micro-installation presented by Choreographic Lab (Directors Jane Bacon and Vida Midgelow) http://writing-dancing.blogspot.com/ Come sit and take a moment [...]
Scratch | A Choreographic Conversation
A circle of chairs in a pool of light, 2 women seated, in front of them two microphones. The audience enter the [...]